Bea Arthur

Beatrice Arthur (born Bernice Frankel; May 13, 1922 – April 25, 2009) was an American actress, comedian, and animal rights activist.

Arthur began her career on stage in 1947 and made her Broadway debut in The Threepenny Opera in 1954. She won the 1966 Tony Award for Best Featured Actress in a Musical for playing Vera Charles in Mame. She went on to play Maude Findlay on the 1970s sitcoms All in the Family (1971–72) and Maude(1972–78), and Dorothy Zbornak on the 1980s sitcom The Golden Girls (1985–92), winning Emmy Awards for Outstanding Lead Actress in a Comedy Series in 1977 and 1988. Her film appearances included Lovers and Other Strangers(1970) and Mame (1974). In 2002, she starred in the one-woman show Bea Arthur on Broadway: Just Between Friends.

Early life
Beatrice Arthur was born Bernice Frankel on May 13, 1922, to Rebecca (néePressner; 1895–1985) and Philip Frankel (1885–1973) in Brooklyn, New York.[1][2] Arthur was raised in a Jewish home with sisters Gertrude and Marian.

In 1933, the Frankel family relocated to Cambridge, Maryland, where her parents subsequently operated a women's clothing shop. At age 16, Frankel developed a serious condition called Coagulopathy, in which her blood would not clot.[3]Concerned for her health, her parents decided to send her to Linden Hall School for Girls, an all-girls' boarding school in Lititz, Pennsylvania, for her final two years of high school.[3] Afterwards she studied for a year at Blackstone College for Girls in Blackstone, Virginia.[4]

During World War II, she worked as a truck driver and typist in the United States Marine Corps Women's Reserve, receiving an Honorable Discharge in September 1944 with the rank of Staff Sergeant.[5][6][7][8]

After serving in the Marines, Frankel studied for a year at the Franklin Institute in Philadelphia, where she became a licensed medical technician.[3][9] After interning at a local hospital for the summer, Frankel decided against working as a lab technician, departing for New York City in 1947 to enroll in the School of Drama at The New School.[3]

Theater
From 1947, Arthur studied at the Dramatic Workshop of The New School in New York, N.Y. with German director Erwin Piscator. Arthur began her acting career as a member of an off-Broadway theater group at the Cherry Lane Theatre in New York City in the late 1940s. On stage, her roles included Lucy Brown in the 1954 Off-Broadway premiere of Marc Blitzstein's English-language adaptation of Kurt Weill's The Threepenny Opera, Nadine Fesser in the 1957 premiere of Herman Wouk's Nature's Way at the Coronet Theatre, Yente the Matchmaker in the 1964 premiere of Fiddler on the Roof on Broadway.

In 1966, Arthur auditioned for the title role in the musical Mame, which her husband Gene Saks was set to direct, but Angela Lansbury won the role instead.[3] Arthur accepted the supporting role of Vera Charles, for which she won great acclaim, winning a Tony Award for Best Featured Actress in a Musicalthe same year. She reprised the role in the unsuccessful 1974 film versionopposite Lucille Ball. In 1981, she appeared in Woody Allen's The Floating Light Bulb.[10]

She made her debut at the Metropolitan Opera in 1994 portraying the Duchess of Krakenthorp, a speaking role, in Gaetano Donizetti's La fille du régiment.[11]

Television
In 1971, Arthur was invited by Norman Lear to guest-star on his sitcom All in the Family, as Maude Findlay, the cousin of Edith Bunker. An outspoken liberal feminist, Maude was the antithesis role to the conservative Republican character Archie Bunker, who described her as a "New Deal fanatic". Nearly 50, Arthur's tart turn on All in the Family impressed viewers as well as executives at CBS who, she would later recall, asked "'Who is that girl? Let's give her her own series.'"[12]

That series, previewed in her second All in the Family appearance, would be simply titled "Maude". The show, debuting in 1972, found her living in the affluent community of Tuckahoe, Westchester County, New York, with her fourth husband Walter (Bill Macy) and divorced daughter Carol (Adrienne Barbeau). Her performance in the role garnered Arthur several Emmy and Golden Globe nominations, including her Emmy win in 1977 for Outstanding Lead Actress in a Comedy Series. Maude would also earn a place for Arthur in the history of the women's liberation movement.[13]

The series addressed serious sociopolitical topics of the era that were considered taboo for a sitcom, including the Vietnam War, the Nixon Administration, Maude's bid for a Congressional seat, divorce, menopause, drug use, alcoholism, nervous breakdown, mental illness, women's lib, gay rights, abortion, and spousal abuse. A prime example is "Maude's Dilemma", a two-part episode airing near Thanksgiving of 1972 in which Maude's character grapples with a late-life pregnancy, ultimately deciding to have an abortion.[14] Even though abortion was legal in New York State since 1970, as well as in California since its state's 1969 on-demand ruling, it was illegal in many other regions of the country and, as such, sparked controversy. As a result, dozens of affiliatesrefused to broadcast the episode when it was originally scheduled, substituting either a repeat from earlier in the season or a Thanksgiving TV special in its place. However, by the time of the summer rerun season six months later all the flak had died down, and the stations that refused to air the episode upon its first run reinstated it for the reruns the following summer. As a result, a reported 65 million viewers watched the two episode arc either in their first run that November or during the following summer as a rerun.[15] The episode initially aired two months before the U.S. Supreme Court legalized the procedure nationwide in the Roe v. Wade outcome in January 1973.[16]

By 1978, however, Arthur decided to move on from the series. Later the same year (1978), she costarred in Star Wars Holiday Special, in which she had a song and dance routine in the Mos Eisley cantina. She hosted The Beatrice Arthur Special on CBS on January 19, 1980, which paired the star in a musical comedy revue with Rock Hudson, Melba Moore and Wayland Flowers and Madame.[17]

Arthur returned to television in the short-lived 1983 sitcom Amanda's (an adaptation of the British series Fawlty Towers). Unfortunately, the show was a not a hit with audiences and only 10 of the 13 filmed episodes actually aired.

In 1985, Arthur was cast in The Golden Girls, in which she played Dorothy Zbornak, a divorced substitute teacher living in a Miami house owned by widow Blanche Devereaux (Rue McClanahan). Her other roommates included widow Rose Nylund (Betty White) and Dorothy's Sicilian mother, Sophia Petrillo (Estelle Getty). Getty was actually a year younger than Arthur in real life. The series was a hit, and remained a top-ten ratings fixture for six of its seven seasons. Her performance led to several Emmy nominations over the course of the series and an Emmy win in 1988. Arthur decided to leave the show after seven years, and in 1992 the show was moved from NBC to CBS and retooled as The Golden Palacein which the other three actresses reprised their roles, with Cheech Marin as their new foil. Arthur made a guest appearance in a two-part episode, but the new series lasted only one season.[18][19]

Film
Arthur sporadically appeared in films, reprising her stage role as Vera Charles in the 1974 film adaption of Mame, opposite Lucille Ball. She portrayed overbearing mother Bea Vecchio in Lovers and Other Strangers (1970), and had a cameo as a Roman unemployment clerk in Mel Brooks' History of the World, Part I (1981). She appeared in the 1995 American movie For Better or Worse as Beverly Makeshift.[20][citation needed]

Later career
After Arthur left The Golden Girls, she made several guest appearances on television shows and organized and toured in her one-woman show, alternately titled An Evening with Bea Arthur as well as And Then There's Bea.[21] She made a guest appearance on the American cartoon Futurama, in the Emmy-nominated 2001 episode "Amazon Women in the Mood", as the voice of the Femputer who ruled the giant Amazonian women.[22] She appeared in a first-season episode of Malcolm in the Middle as Mrs. White, one of Dewey's babysitters.[23][24] She was nominated for an Emmy for Outstanding Guest Actress in a Comedy Series for her performance.[25] She also appeared as Larry David's mother on Curb Your Enthusiasm.[26]

In 2002, she returned to Broadway, starring in Bea Arthur on Broadway: Just Between Friends, a collection of stories and songs (with musician Billy Goldenberg) based on her life and career.[27] The show was nominated for a Tony Award for Best Special Theatrical Event.[28]

In addition to appearing in a number of programs looking back at her own work, Arthur performed in stage and television tributes for Jerry Herman, Bob Hope, Ellen DeGeneres. In 2004, she appeared in Richard Barone's "There'll Be Another Spring: A Tribute to Miss Peggy Lee" at the Hollywood Bowl, performing "Johnny Guitar" and "The Shining Sea". In 2005, she participated in the Comedy Central roast of Pamela Anderson, where she recited sexually explicit passages from Anderson's book Star Struck in a deadpan fashion.[29]

Influences
In 1999, Arthur told an interviewer of the three influences in her career: "Sid Caesar taught me the outrageous; [method acting guru] Lee Strasberg taught me what I call reality; and [original Threepenny Opera star] Lotte Lenya, whom I adored, taught me economy."[30] Another source of influence to Arthur, was that of famed actress/director Ida Lupino whom Arthur praised as, "My dream was to become a very small blonde movie star like Ida Lupino and those other women I saw up there on the screen during the Depression.[31] "

Personal life
Arthur was married twice. Her first marriage took place during her time in the military, when she married fellow Marine Robert Alan Aurthur,[5] later a screenwriter, television, and film producer and director, whose surname she took and kept (though with a modified spelling). Shortly after they divorced in 1950, she married director Gene Saks with whom she adopted two sons, Matthew (born in 1961), an actor, and Daniel (born in 1964), a set designer; they remained married until 1978.[32]

In 1972, she moved to Los Angeles and sublet her apartment on Central Park West in New York City and her country home in Bedford, New York.[33] In a 2003 interview, in London promoting her one-woman show, she described the British capital as her "favourite city in the world".[34]

Arthur was a committed animal rights activist and frequently supported People for the Ethical Treatment of Animals campaigns. Arthur joined PETA in 1987 after a Golden Girls anti-fur episode. Arthur wrote letters, made personal appearances and placed ads against the use of furs, foie gras, and farm animal cruelty by KFC suppliers. In Norfolk, Virginia, near the site of the PETA headquarters, there is a dog park named the Bea Arthur Dog Park in her honor.[35]

Arthur was a longtime champion of equal rights for women and an active advocate of the elderly, and Jewish communities, in both her major television roles and through her charity work and personal outspokenness.[36]

Regarding politics, Arthur herself was a liberal Democrat who confirmed her views by saying, "I've been a Democrat my whole life. That's what makes Maude and Dorothy so believable, we have the same viewpoints on how our country should be handled."[37]

Arthur was also a mentor, surrogate mother and a friend to Adrienne Barbeau, who co-starred, opposite her on Maude. For 6 seasons, they had a wonderful chemistry together, while her younger co-star was unavailable for the last 2 seasons, due to her busy scheduling, Barbeau remained close to Arthur, and stayed in touch until Arthur's passing. Barbeau said in a 2018 interview with Dread Central.com about her on- and off-screen chemistry with her TV mother was: "I was doing an interview for this 1-woman show that I am doing and the interviewer asked that... she asked: 'What do people usually ask you,' and I said, 'They always want to know ... What It Was Like Working with Bea?' She was fantastic and you know, I realized years later, how much I took it for granted, because it was my first experience on television... I just assumed that everyone was as giving as she was, as professional as she was that everyone who was doing a TV show, showed up, knowing their lines and showed up on time and was willing to say to the writers: 'I think this line was funnier if Adie had said it, or Conrad had said it or Bill had said it,' I mean, she was just the best, she was the best, very funny, she was not 'Maude,' when she wasn't saying those lines. I don't know if I say she was quiet, she was a homebody. She had her sons, her dog and her cooking and she wasn't into the celebrity scene and she was a great lady. I loved her dearly, and we had a great cast and they were my family for 6 years that I loved each of them and all of them and it was the best experience anyone could've had, being introduced to television, like that!"[38]

Death and legacy
A private and introverted woman, according to her friends,[39] Arthur died of cancer at her home in the Brentwood area of Los Angeles on April 25, 2009. She was two and a half weeks short of her 87th birthday.[40] She was survived by her two sons and two granddaughters.[30][41][42] Her body was cremated and the ashes were spread throughout Miami.[citation needed]

On April 28, 2009, the Broadway community paid tribute to Arthur by dimming the marquees of New York City's Broadway theater district in her memory for one minute at 8:00 pm.[43]

Arthur's co-stars from The Golden Girls, Rue McClanahan and Betty White, commented on her death via telephone on an April 27 episode of Larry King Live. On the Today Show by phone, McClanahan said she and Arthur got along together "like cream." White said, "I knew it would hurt, I just didn't know it would hurt this much."[44][45]

Longtime friends Adrienne Barbeau (with whom she had worked on Maude) and Angela Lansbury (with whom she had worked in Mame) reflected on her death. Barbeau said, "We've lost a unique, incredible talent. No one could deliver a line or hold a take like Bea and no one was more generous or giving to her fellow performers".[46] Lansbury said, "She became and has remained my bosom buddy [...] I am deeply saddened by her passing, but also relieved that she is released from the pain".[47]

Arthur bequeathed $300,000 to the Ali Forney Center, a New York City organization that provides housing for homeless LGBT youths.[48][49] The center was heavily damaged in October 2012 by Hurricane Sandy,[50][51] but has since been restored and re-opened.[52] The Bea Arthur Residence, which opened in 2017, is an 18-bed residence in Manhattan for homeless LGBT youth operated by the Ali Forney Center.[53][54]

Awards
Arthur won the American Theatre Wing's Tony Award in 1966 as Best Featured Actress in a Musical for her performance that year as Vera Charles in the original Broadway production of Jerry Herman's musical Mame.[citation needed]

Arthur received the third most nominations for the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series with nine; only Julia Louis Dreyfus(11) and Mary Tyler Moore (10) have more. She received the Academy of Television Arts & Sciences' Emmy Award for Outstanding Lead Actress in a Comedy Series twice, once in 1977 for Maude and again in 1988 for The Golden Girls.[55] She was inducted into the Academy's Television Hall of Fame in 2008.[56]

On June 8, 2008, The Golden Girls was awarded the Pop Culture award at the Sixth Annual TV Land Awards. Arthur (in one of her final public appearances) accepted the award with McClanahan and White.[57]