City Heat

City Heat is a 1984 American action crime-comedy film starring Clint Eastwood and Burt Reynolds, written by Blake Edwards, and directed by Richard Benjamin. The film was released in North America in December 1984.

The pairing of Eastwood and Reynolds was thought to have the potential to be a major hit but the film earned only $38.3 million at the box office, against a $25 million budget.

Plot
In Kansas City, 1933, police lieutenant Speer goes to a diner for coffee. Two men arrive, looking for a former cop turned private eye named Mike Murphy. Speer and Murphy were good friends, until Murphy left the force. The men pounce on Murphy the minute he arrives. Speer ignores them until a goon causes him to spill his coffee. Both goons are thrown through the front door. Murphy sarcastically thanks Speer for saving his life.

The two rivals have eyes for Murphy's secretary Addy. She loves both and proves it when, after tenderly kissing Murphy goodbye, goes on a date with Speer. Murphy has a new romantic interest, a rich socialite named Caroline Howley, but finds himself unable to commit.

Speer and Addy go to a boxing match at which the mob boss Leon Coll is present. Murphy's partner Diehl Swift is also there, and seems to be in cahoots with Primo Pitt and his gang. Swift is in possession of a suitcase whose contents are supposed to be the accounting records of Coll's operations. The ledgers are the target of both Pitt's and Coll's gangs. Coll's financial records are actually in the possession of his bookkeeper, who met and colluded with Swift earlier at the Club where black singer Ginny Lee is the star attraction.

Swift leaves the boxing ring, tailed by Speer and Addy, and is confronted by Pitt and his thugs at his apartment with Ginny, who is taken hostage. She manages to escape but Swift is killed during a struggle with Pitt. A thug opens the suitcase but it's empty. He picks up Swift's body and throws it out the window, where it lands on the roof of Speer's parked car (which is occupied by the horrified Addy, who waits while Speer goes to investigate in the apartment).

Murphy vows revenge on Pitt for killing his partner. He asks Speer for assistance and they form an alliance. After meeting with Murphy at a movie, Ginny is confronted by Pitt's thugs outside the theater. As she tries to escape, she is hit by a car and seriously injured.

After Murphy shows Addy the "laundry" which contains the missing financial records, two goons shoot holes through his apartment door. He hits them with a baseball bat when they charge in, and runs. A huge gun fight between Coll's and Pitt's men breaks out on the street below. Murphy hides as the rival thugs battle it out, with Lieutenant Speer watching until one puts a round through Speer's car windshield. Speer pulls out a 12 gauge shotgun, walks up the street, and finishes the fight. Murphy and Speer vow to avenge Ginny and also to rescue Caroline, who has been kidnapped by Pitt's gang to force Murphy to hand over the missing records. A final showdown with Pitt and his gang occurs in a warehouse.

In a high class bordello Speer and Murphy rescue Caroline. Coll shows up holding Addy at gunpoint and demands his records. Murphy hands over the books in exchange for Addy, but the suitcase is booby-trapped. Coll's car is blown up with him in it.

The movie ends with Speer, Addy, Murphy, and Caroline double-dating at the Club, listening to Ginny sing and enjoying themselves until Murphy's smart mouth provokes a brawl with some of the other patrons.

Cast

 * Clint Eastwood as Lieutenant Speer
 * Burt Reynolds as Mike Murphy, P.I.
 * Jane Alexander as Addy, Murphy's secretary
 * Madeline Kahn as Caroline Howley
 * Rip Torn as Primo Pitt
 * Irene Cara as Ginny Lee
 * Richard Roundtree as Diehl Swift, P.I.
 * Tony Lo Bianco as Leon Coll
 * William Sanderson as Lonnie Ash
 * Nicholas Worth as Troy Roker
 * Robert Davi as Nino
 * Art LaFleur as a bruiser
 * Jack Nance as Aram Strossell, the bookkeeper

Production
Blake Edwards co-wrote the script, initially titled Kansas City Blues.[4] He originally wrote the script in the 1970s while living in Switzerland. "I really wrote the story for myself," says Edwards. "But when Julie read it, she thought it was the best thing I'd done and over the years friends urged me to film it. So to see it turned into something completely different was very painful for me."[5]

Edwards was the original director of the film, but he was fired early on and replaced with Richard Benjamin. He retained co-writing credit under the pseudonym "Sam O. Brown," the initials of which were "S.O.B.," a reference to his earlier film.[4]

"The whole thing was such a horrendous experience it could have come right out of S.O.B.," said Edwards. "In fact it inspired me to write S.O.B. 2."[5]

Reynolds later recalled:

Eastwood was cast as the lead and received a $4 million salary.[7]

Filming began in February 1984. On the first day, Reynolds was accidentally hit in the face with a metal chair during a fight scene.[2] His jaw was broken and he was restricted to a liquid diet, causing him to lose over 30 pounds by the time filming wrapped. His condition made headlines in the tabloids, which speculated he had AIDS.[8][9]

Soundtrack
Clint Eastwood, a jazz aficionado, is one of the pianists heard on the film's jazz-oriented soundtrack.[10]

Release and reception
City Heat was released in United States theaters in December 1984. It grossed $38.3 million at the North American box office.[11]

For his roles in this film and Cannonball Run II, Reynolds was nominated for a Razzie Award for Worst Actor.[12] Reynolds later recalled:

The film received lackluster reviews and critics expressed their disappointment with the script and the pairing of the two star actors. At Rotten Tomatoes, 10 of the 13 reviewers cited gave the film a "rotten" review.[13] Roger Ebert gave the film half a star, asking "How do travesties like this get made?"[14] Gene Siskel gave the film zero stars, writing, "Save for two moments when Eastwood does an amusing parody of his angry squint, 'City Heat' is devoid of humor, excitement and amazingly, a comprehensible story."[15]

Janet Maslin was more positive, saying "overdressed and overplotted as it is, City Heat benefits greatly from the sardonic teamwork of Clint Eastwood and Burt Reynolds. Without them the film would be eminently forgettable, but their bantering gives it an enjoyable edge." According to Maslin:

Variety wrote of the star duo, "This will hardly go down as one of the highlights in either of their careers, but there remains a certain pleasure just in seeing them square off together in a good-natured arm wrestling match of charisma and star voltage. Nevertheless, one might have hoped for material more exciting than this hokum."[17] Paul Attanasio of The Washington Postcriticized "embarrassingly broad comedy and Benjamin's smarmy fealty toward his leads. Inside this star vehicle there's a real movie screaming for air."[18] Kevin Thomas of the Los Angeles Times wrote that Eastwood and Reynolds were "in fine fettle on their own and together, playing off each other beautifully. But the pleasure derived in watching them poke fun at themselves and each other in this period gangster comedy is spoiled by a numbing display of violence that is far too literal for such hokum."[19]